On gendered argumentation in 20th-century New York

Just learned of this book:

It's about "the New York Intellectuals—a heavily Jewish scene, formed around Cold War liberalism and high modernist literary tastes, that profoundly shaped everything from art criticism to foreign policy," as David Klion, contributing editor to Jewish Currents, explains today.

Klion says:

"A rare work of academic history with crossover appeal to more mainstream readers, Write Like a Man is also the first book to give full attention to the fraught gender dynamics that shaped the New York Intellectuals. Most of the group was male, defined by names like Lionel Trilling, Daniel Bell, Irving Kristol, Norman Podhoretz, and Irving Howe. Grinberg not only gives fair due to the most prominent women in the group—chiefly Hannah Arendt, Elizabeth Hardwick, Mary McCarthy, Diana Trilling, and Midge Decter—she also ingeniously demonstrates how gender shaped the actual writing produced by both male and female New York Intellectuals.

The title comes from a killer 1963 quote from NYRB co-founder Jason Epstein: 'With women in that crowd, the first thing you thought about was whether they were good-looking and if you could sleep with them. But if a woman could write like a man, that was enough.' To Grinberg, 'writing like a man' refers to a mode of rigorous, swaggering, aggressive argumentation rooted in the legendary cafeteria alcoves of then all-male City College, where many of the future New York Intellectuals spent the 1930s engaged in verbal duels with Stalinists. It's a style still recognizable today, and Grinberg portrays it as a means of assimilation for the sons of poor Yiddish-speaking immigrants trying to assert their masculinity in an America that stereotyped Jews as meek and effeminate. Grinberg’s female subjects, as the Epstein line suggests, held their own in the group because they were able to master this style—though as Grinberg also shows, the women in the scene who came from different backgrounds (either as gentiles or, in Arendt’s case, as a German Jewish emigre with formidable Old World academic credentials) received more deference from their male peers than the shtetl-descended women who were often treated simply as wives."

More on Jason Epstein

Michael Castleman explains how Jason Epstein invented trade paperbacks:

"In 1953, Jason Epstein was a recent Columbia University graduate working in publishing — temporarily, he thought — as an editorial assistant at Doubleday. He lived in Greenwich Village, a short walk from the funky but glorious (and now defunct) Eighth Street Bookshop, which counted among its patrons Jack Kerouac, Susan Sontag, E.E. Cummings, Edward Albee, Allen Ginsberg, and Amiri Baraka.

To Epstein’s wide young eyes, the place was paradise. He visited after work, sometimes lingering for hours. But his editorial assistant’s salary paid so little (forty-five dollars a week) that he couldn’t afford hardcovers, and that was all Eighth Street Bookshop stocked.

One day Epstein asked the store’s owners if they might be interested in selling less expensive paperback editions of their hardcovers to appeal to working folks and young people like him.

Not Pocket Books. Heaven forbid!

No, Epstein explained, he envisioned a larger format and better paper..."

Excerpted from Michael Castleman, The Untold Story of Books: A Writer’s History of Book Publishing (2024), excerpt reprinted in LitHub