Saturday, August 1, 2026

Dragomans: Ottoman court interpreters

In the conversation Iran After America (with Jonathan Shainin for Equator, August 1, 2026), Vali Nasr says:

The scholar Bernard Lewis wrote an essay once about the role of ‘dragomans’ – the Ottoman court interpreters and diplomatic intermediaries. He saw himself this way, as the translator of the Arabs into Western languages. I believe his whole enterprise was ultimately based on such colonial assumptions.

Many of the academics of my generation saw ourselves as dragomans of a more authentic sort than Lewis – though he might accuse us in turn of bias. I’m not claiming to have a monopoly on truth. But increasingly I became convinced of these distortions. It’s difficult, because I do not have charitable views of the Islamic Republic and the way it has ruled over Iran. But to have value, my writing has to be level-headed.

Dragomans were typically Ottoman Greeks who communicated with Europeans. (as per Wikipedia)

Here's Bernard Lewis's book, From Babel to Dragomans: Interpreting the Middle East

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Here's Vali Nasr's book:

photo of tower in Istanbul

Thursday, July 9, 2026

'The world was composed of letters,' but 'letters themselves are secondary'

In this essay in Triple Ampersand, "Occult Perso-Punkism of Cyclonopedia," Muhammad Sangesari is talking about the mystical heresy of Nuqtavism, in which someone achieves hulul (immanence, from the word for dissolving a solid into a liquid) and believes they are one with god.

More than a theological deviation, Nuqtavism posed a radical question: how does history move, and how is earthly history manipulated by forces that do not belong to historical time itself? At stake was not merely the end of Islam or the birth of a new god, but the relation between local, terrestrial history and what can be called suprahistory, the occult, cosmic strata that condition historical change.

This problem was inherited from Horufism. The Horufis conceived reality as an inscriptional order: the world was composed of letters (horuf), each letter a manifestation of divinity, each entity a glyph written by God. Reality, in this view, was not substance but script. Yet Horufism remained largely metaphysical and it was only nuqtavism that radicalized it.

In Asrar al-Nuqta (The Secrets of the Point), Mir Sayyid ʿAli Hamadani explains that letters themselves are secondary. They emerge from the movement of the point (nuqta) within a supra-physical spatiality, the unseen (qayb). The nuqta is not a symbol but an operator. Its movement generates letters, forms, and ultimately worlds, much like talismans produced through occult crafts. What matters is not inscription but motion in the unseen.

One idea, from Mahmoud Pasikhani (Nuqtavi), is that time is manipulated, and each era (adwar, cosmic cycles) has its own god.

This is important for the new iteration of Ten Past Noon on which I am working.

chrysalis

Wednesday, May 20, 2026

Jewish Diaspora Movement. Doikayt.

Sharing what I'm about to start learning.

jewishdiasporamovement.org

illustration of a bird in flight